If you’re creating a Kindle book for the first time, then you might it frustrating that the Microsoft Word-based process doesn’t yield a functioning NCX Table of Contents (The ToC using the Kindle menu) for your book when it’s directly uploaded to Amazon Kindle.

Let’s find out how we can fix that using Calibre, a free eBook and multi-OS reader that can be downloaded here.

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The Casualties of Wrath by T.C. Christopher

Caught between the war-torn South Africa and building a new life with his wife, Micah Pietersen struggles with the reality of being a stateless exile. The war for water has ruined his once-great home. His adopted home of Chile, the birthplace of his wife, Sofia, teeters on the edge of its own civil war.

The young couple works together, hoping to save the lives of the refugees fleeing the African state. Until the tragic conflict drags over the border and rips Micah away from Sofia, now lost in her nightmare across the ocean. The Casualties of Wrath tells the story of a man trapped in the chaos of war, and how far he needs to go to save his love in the desperate race against death.

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The Dreams of a New Land by T.C. Christopher

As a collection of short stories, the Dreams of a New Land tells the tales of a multi-racial and multi-cultural South Africa, a land plagued with a dark and violent history. However, it also shows an African people searching for a new narrative beyond that of a post-Apartheid country – one to guide them through the trials of crime and corruption plaguing the once Rainbow Nation.

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I attended the Decolonising South African Editing event at the University of the Witwatersrand (2 August 2017). Wits has and always will be the most politically charged university on the African continent. So while the event was a success, and the many technical aspects of the event addressed with strong expertise, the content of the debate was controversial and explosive. I thank BlackBird Books and Jacana Media for an entertaining evening that was both insightful for many and frustrating for a few. Unfortunately, I am one of the few. What follows is my opinion of the debate itself, of which the content was outside the control of both the organisers and the host, being that it was a public debate. And as always with public debates in South Africa, things go wild.

This piece was written in conversation to a friend, who is also a writer, and it is entirely my opinion as a young South African writer, and with all the implications that label carries. These are not the opinions of BlackBird Books, Jacana Media, nor any of their representatives, nor are they opinions of any other attendee to the event.

CREDIT: Express/Hulton Archive/Getty Images
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I am proud of and enamoured by Sisonke Msimang. Have a read of this excellent excerpt from her public lecture last week! It was mind-blowing, absolutely shattering, and confirms my belief in our people, how far South Africa has come, and how to figure where it must now go. The video will come in June!

UPDATE: The talk, Eyes on the back of our heads: Recovering a multi-cultural South Africa, can now be accessed here and here.

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If you were born in a country, in a town, on a road, and in a home, then you will have everything you need to be a fiction writer. The stories are there in your head, hiding and brewing in your childhood and adolescence; the stories that become limitless in our adulthood.

The very real events we encounter every day inform our stories. We find them in the heroes and the villains who walk our streets. We meet them in those who serve in public office. And we may even discover them in those who eat and sleep beside us in our homes.

But sometimes, having a story to tell is not enough.


In those times, you need to know what style is, and how characterisation informs plot and, how plot defines and refines characterisation. Having a good working knowledge of your writing voice is to acknowledge its strengths and weaknesses. Being able to define what narrative structure (or lack thereof) fits your particular story will improve your telling of it. These are all aspects of fiction writing that can make or break your story, no matter how hot you think that story is.

But you need not pay thousands for a course or a degree in creative writing to be a fiction writer. While that route works for a number of established writers, you can discover the art of crafting prose on your own. Many of the bestselling and literary icons of the written word were self-taught masters of putting a pen to paper, and of pounding away at a typewriter and a keyboard.

And perhaps, what may be the most surprising thing about learning how to write, is that the best advice and crafting methods come from the books themselves. No other art form has the ability to educate of its own conception as entertainingly as the book. But even the books on storytelling are not the only and definitive references on learning how to write. The journey is long and each writer has their own path to make and take. And most of it is lonely.


To write is to be alone with yourself, tapping into the deepest recesses of your memories and consciousness. Writing a story is to visit and stay a while with old friends and terrifying enemies; running through the entire worlds born of fantasy and science fiction; seeking out and capture the culprit of a suspense-filled mystery; and finally, attempting to answer the quiet questions of identity and the human soul; questions that reside in the extraordinary characters of literary fiction.

Let’s explore the books and the lessons I have found to be crucial in my self-education as a fiction writer.

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I love Star Wars and the prequel trilogy because I grew up with them. But I also saw A New Hope well before I saw A Phantom Menace. And it was on that big screen that I first saw Darth Vader.

And so began my journey through the Star Wars Saga. Because of this, I see both trilogies as one complete story. The prequel trilogy informs us of how it all began before Luke piloted his first X-Wing. Before Yoda showed Luke the power of the Force by raising that same X-Wing out a lake. Before Han Solo and the Millennium Falcon outwitted an Imperial Star Destroyer.

Before the Death Star terrified the Rebellion into near-submission; before a handful of bold and defiant guerrillas, led by a determined and strong woman, delivered its demise at the cost of their own lives.

Before Darth Vader lifted the Emperor and threw him into the abyss.

They tell us of the tragic tale of Anakin Skywalker. And when viewed as one overarching journey for the boy named Ani, the prequels complete the narrative when Luke takes off Vader’s helm to see his father’s kind but tired smile.

Now he is an old and broken man; no longer is he the young and powerful Jedi, or the wrathful Sith he later became.

© & ™ Lucasfilm Ltd. All Rights Reserved.

Just how could a man with such kind eyes become the monstrous Darth Vader, one who often butchered a room of defenceless rebels without mercy?

From his journey of desperate longing and betrayal to turmoil and redemption, let’s explore one of the great tragic figures of modern storytelling, one responsible for turning George Lucas’s magnum opus into the series that enthralled millions, if not hundreds of millions, of fans around the world for many years.

The Tragic Tale of Darth Vader.

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